
FunayūreiUgume (Kyushu West Coast Variant)
funayūrei
Detailed Description
Across the west coast of Kyushu—especially from Hirado in Nagasaki to Amakusa and Goshoura Island—a variant of the funayurei is known as the Ugume. It appears in night fog or under a windless overcast stillness: an old sailboat with bellied sails despite no wind, or a small unmanned skiff, gliding up silently from behind. Its lights are faint, wavering along the gunwales like something between flame and fireflies. The closer it comes, the farther the sound of waves recedes; though the vessel seems to move forward, the surface of the sea slips backward. This is the sign of possession: cold water seeps into the bilge, oars grow heavy, and the compass drifts a hair off. The Ugume has no fixed form, sometimes turning into the silhouette of an island to lure boats, sometimes showing a non-existent cove offshore to run them aground. From the shadow of a rotted mast it will murmur, “Give me a bilge-scoop,” asking for a scoop or ladle to bail. One must hand over a scoop with a hole in the bottom; give a sound one by mistake and it will pour water over the gunwale without cease, weighing the boat down to sink. In Hirado they say a pinch of ash cast upon the sea will lift the fog. On Goshoura, one calls out “Dropping anchor!” throws a stone first, then casts the anchor—a ritual aligning words and action to tell what lies below, “We intend to stay here,” whereupon the Ugume loosens its hold. A thread of tobacco smoke will also thin it, sending it retreating toward the stern. Offerings include rice balls, rice cakes, and a small amount of ash, and special caution is urged on the sixteenth day of Obon. The Ugume are less indiscriminate vengeful ghosts than a host of those who slipped outside the sea’s order, drawn by lapses in shipboard manners, careless speech, or neglected greetings to the sea gods. If faced squarely, with proper names and rites observed, they slip back into the shadow of the tide. The fear that “it disguises itself as boats or islands” along Kyushu’s west coast reflects memories rooted in fickle currents and tangled shoals—an embodiment of losing one’s way at sea. Ugume also portend maritime misfortune; in fishing villages it is said that on nights they draw near, someone somewhere has lost the path home.
Source Information
種類全体の出典reference
絵本百物語(桃山人夜話)
種類全体の出典primary
今昔画図続百鬼「逢魔時」
著者: 鳥山石燕
年代: 安永8年(1779)
出版社: 江戸東京博物館所蔵・国文学研究資料館国書データベース
Personality
quietly relentless, rarely cries out its grudge, senses sailors’ carelessness and pride and exploits them, keen about promises and proper etiquette, retreats easily when handled correctly, clings from the shadows to bluster and rudeness
Compatibility
those who keep sea etiquette, those who honor ship spirits and sea deities, calm and quick-thinking skippers and fishers
Abilities & Skills
Weaknesses
bottomless bilge scoops and ladles, offerings of ash or rice cakes or rice balls, tobacco smoke and the spoken declaration of proper procedure (such as “dropping anchor”)
診断評価
妖怪バウンダリー・タイプ指標
いたずら濃度
3.0high: 戯 low: 護
📝 メモ
淦取りを求め潮惑いを起こし操船を誤らせる
変化適応
3.0high: 化 low: 定
📝 メモ
島影、入江、帆船など擬景化する変化が明示される
夜話度
3.0high: 夜 low: 昼
📝 メモ
九州西岸の霧の出る航路で夜の怪として働く
情の深さ
2.0high: 縁 low: 境
📝 メモ
船乗りの油断や作法違反へ陰に回って纏わりつく
結界強度
2.0high: 律 low: 流
📝 メモ
平戸、天草、御所浦の瀬と航路の難所に結びつく
表舞台圧
-2.0high: 表 low: 影
📝 メモ
島影や入江、帆船に化けて静かに接近する
妖怪相性診断
喜び
1.5喜びと楽しさの程度
📝 メモ
喜悦や遊興の描写は乏しく、感情表現は抑制的。
怒り
5.5怒りの激しさの程度
📝 メモ
声高に怒鳴るより執拗に絡む怨念型。露骨な激怒ではないが、害意と執念は中程度以上。
慈悲深い
3.0慈悲深さの程度
📝 メモ
供物や正しい作法に応じて退く寛容さはあるが、迷いを誘い沈める行為が主で慈悲は限定的。
憂鬱
7.5憂鬱で思慮深い程度
📝 メモ
水難者の群れという背景と夜霧・凪に漂う描写は深い哀しみと陰性の気配を強く示す。
静寂
6.0内なる平静の程度
📝 メモ
静かに執拗で音もなく迫る性質や、正しい作法で素直に退く律しは一定の静けさを示す。
いたずら好き
2.0いたずら好きで活発な程度
📝 メモ
擬景化で惑わすが悪戯というより海難誘発が目的。遊戯性は低い。
やさしい
2.5やさしく親しみやすい程度
📝 メモ
基本は害意を帯び船を沈め惑わす存在。正しい作法で引く柔らかさはあるが、親しみやすさは低い。
厳格
8.0厳格で真面目な程度
📝 メモ
約束事と作法に敏感で、手順や言霊に厳格に反応。規矩を欠く者に強く執着する。
守護的
3.0他者を守る傾向
📝 メモ
守護者ではないが、海の規矩を守る者には被害を退け、海難の警告者として機能する側面がわずかにある。
神秘的
9.0神秘的で不思議な程度
📝 メモ
姿を定めず島影・入江・帆船に化け、霧や怪火、羅針の狂いを伴う。強い神秘性が中核。
霊性の深さ
8.5精神的境界の深さ
📝 メモ
海の規矩・言霊・供物・盆の禁忌など儀礼的文脈が濃く、航路迷いの記憶を体現する霊的層が深い。
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