The image of Inugami Gyobu should be understood through the lens of how the Matsuyama tanuki tales were reshaped by kodan storytelling. Across Shikoku, dense beliefs in tanuki and transformation legends spread, and in Matsuyama both “guardian” and “trickster” aspects were told of beings dwelling at the boundary between the castle town and the wilds. The title Gyobu signals a bond with the castle, emphasizing a guardian role, while kodan added favored conflicts—such as inviolable pacts and ambushes during internal clan strife—producing varied plotlines. In every variant, the rock shelters and caves of Mt. Kuma form the final stage, where sealing or pacification brings closure. The appearance of Ino Budayu also became standard, linking in a known monster-slaying tale from other sources and lending a higher authority of supernatural judgment to the Matsuyama tanuki narrative. His spiritual power and many retainers match regional views of a tanuki chieftain leading a band, serving as a framework to explain wonders at annual castle-town events and at passes or shrine precincts. Though today’s lore bears kodan embellishments, at its core remains the figure of a tanuki lord guarding the liminal zone between castle and mountain.