
Kurama-yama SōjōbōKurama-yama Sōjōbō, Who Taught the Art of War to Ushiwaka
Kurama-yama Sōjōbō
Detailed Description
The legend of Kurama-yama Sōjōbō is a subject to be read with careful separation of historical fact from later accretion.
The credibility of its setting rests in the history of Kurama-dera. The Kurama-buki-dera engi[1] relates that Ganchō built a hermitage in the first year of Hōki (770) and that Fujiwara no Iseto raised the temple halls in the fifteenth year of Enryaku (796). This ancient sacred mountain holds the valley of Sōjō-ga-tani where Sōjōbō dwells, and was held to be the place of descent of Gohō Maō-son.
The firm dramatization of the tale of martial transmission to Ushiwakamaru begins with the Muromachi-period Noh play Kurama Tengu[2]. In its plot the great tengu of Kurama teaches the art of war to Ushiwaka, who, pursued by the Heike, had taken refuge at Kurama-dera; performed as a fifth-category Noh, it unfolded widely into later kabuki and ukiyo-e. Yet this transmission tale does not exist in the older Gikeiki[3]. What the Gikeiki transmits is the tale of Ushiwaka's acquiring the books of strategy (the Rikutō and Sanryaku) treasured by the onmyōji Kiichi Hōgen—no tengu appears.
The identification that binds the two, "Kurama Tengu = Kiichi Hōgen," arose in early-modern times. Its source is the jōruri Kiichi Hōgen Sanryaku no Maki[4] (1731, premiered at the Takemoto-za), which has a scene calling Kiichi Hōgen "the tengu who long ago taught swordsmanship to Ushiwaka on Mt. Kurama." Here the Gikeiki's Kiichi Hōgen and the Noh's tengu-transmission tradition were fused into one. Thus the story widely known today—that Ushiwaka learned the art of war from the Kurama tengu—is rightly seen not as deriving from the Gikeiki, but as a layered legend that began with the Muromachi Noh and was bound to Kiichi Hōgen in the Edo jōruri.
One further point to note is the relation to Gohō Maō-son. The grand present-day doctrine by which Kurama-dera links it to Sōjōbō is a modern teaching arranged only after the temple became independent of the Tendai school and founded Kurama-kōkyō in Shōwa 24 (1949)—a lineage apart from the medieval Sōjōbō tradition. The Sōjōbō of the medieval tradition was, as one of the forty-eight tengu[5], a master tengu who imparted the martial arts and the way of the mountains.
Source Information
種類全体の出典primary
義経記
著者: (軍記、作者未詳)
年代: 室町期
出版社: (義経伝説の集成)
種類全体の出典primary
鬼一法眼三略巻
著者: 長谷川千四・文耕堂
年代: 1731
出版社: (竹本座初演の浄瑠璃)
種類全体の出典primary
鞍馬蓋寺縁起
著者: (鞍馬寺草創縁起)
年代: 中世
出版社: (鞍馬寺)
種類全体の出典primary
鞍馬天狗(謡曲)
著者: 宮増(伝)
年代: 室町期
出版社: (能・五番目物)
種類全体の出典primary
天狗経
著者: (密教系祈祷秘経)
年代: 江戸中期
出版社: (修験の祈祷経典)
Personality
Composed and proud, a keeper of his word. Toward the gifted he is severe yet not without mercy, and toward conceit he shows no quarter. Sparing of words, his teachings are rich in metaphor and keen.
Compatibility
Practitioners who spare no effort in their training; martial artists who know courtesy; travelers who fear and revere the mountains
Abilities & Skills
Weaknesses
He loathes clamor full of worldly thoughts / To those who break their word he gives no teaching and departs / Kept long from the mountains, his power wanes
診断評価
妖怪相性診断
喜び
3.0喜びと楽しさの程度
📝 メモ
喜びや享楽よりも修行・規律に重心があり、感情表出は乏しい。
怒り
6.5怒りの激しさの程度
📝 メモ
慢心や約定破りには容赦せず、怒りは抑制的だが厳しく発露し得る。
慈悲深い
6.0慈悲深さの程度
📝 メモ
才ある者には情けを掛けるが、約定違反や慢心には厳しく限定的。
憂鬱
4.0憂鬱で思慮深い程度
📝 メモ
憂いを帯びた描写は乏しく、思慮深さはあるが陰鬱さは低い。
静寂
8.0内なる平静の程度
📝 メモ
沈着寡言で内的平静が強く、山中での静寂と調和する。
いたずら好き
2.0いたずら好きで活発な程度
📝 メモ
天狗一般の戯れ性はあるが、本像は師表で悪戯性は低い。
やさしい
4.5やさしく親しみやすい程度
📝 メモ
沈着で情けも掛けるが、基本は厳格な師で親しみやすさは高くない。
厳格
9.0厳格で真面目な程度
📝 メモ
約定重視・慢心を許さない・厳しい鍛錬指導という性格が明確。
守護的
7.5他者を守る傾向
📝 メモ
才ある者を導き守る師の面と、山を護る守護的性格が伝承に見える。
神秘的
9.0神秘的で不思議な程度
📝 メモ
大天狗・護法的存在としての霊験、兵法伝授や羽団扇の術など神秘性が強い。
霊性の深さ
9.0精神的境界の深さ
📝 メモ
霊山鞍馬・護法的性格・山の兆しを読む占察など高い霊性を体現する。
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