
Ōyama HōkibōThe Great Tengu of the Transferred Seat — Ōyama Hōkibō
Ōyama Hōkibō
Detailed Description
The core of Ōyama Hōkibō lies in a tale of succession to a seat within the tengu world—the "seat transfer." Yet the Mt. Ōyama on which he sits was a sacred mountain established in antiquity, without need of the transfer legend.
The Engishiki Jinmyōchō (927)[1] ranks the Afuri Shrine among the official shrines of Sagami Province, showing that Ōyama's divinity was recognized by the ancient state. On the Buddhist side, the Ōyama-dera engi emaki[2] depicts how Rōben—carried off by an eagle and raised in Nara—opened Ōyama-dera and enshrined Fudō Myōō (the Sagami version; a different work from the engi of Hōki's Daisen-ji). And in early-modern times the official gazetteer the Shinpen Sagami no Kuni Fudoki-kō (1841)[3] conveys the summer ascent season and the bustle of pilgrims from many provinces. The manners of pilgrimage—purifying oneself at the waterfalls under a sendatsu's guidance before climbing—and the Ōyama confraternities everywhere: this density of faith gave Hōkibō, the successor tengu, the character of a guardian watching over the common people.
The seat-transfer tradition overlays this sacred-mountain history. According to the arrangement of Chigiri Kōsai[4] of tengu scholarship, Sagami Ōyama originally had a great tengu named Sagamibō. But when the Retired Emperor Sutoku—defeated in the Hōgen Rebellion (1156) and exiled to Sanuki—passed away, Sagamibō removed to Shiramine in Sanuki to console and guard his bitter spirit (= Shiramine Sagamibō). The one who succeeded to the vacant seat of Sagami Ōyama was Hōkibō, come from Mt. Daisen in Hōki. This symmetrical transfer—"Sagamibō to the west, Hōkibō to the east"—is a Chigiri-derived arrangement lacking explicit sources in the classical literature, and should be read not as historical fact but as lore that mirrors the notion that a tengu's seat is succeeded through mountain and bond (en) rather than being a fixed individual. Chanted as "Hōkibō of Ōyama" in the Muromachi Noh play Kurama Tengu[5], and standing among the forty-eight tengu of the Tengu-kyō[6], his seat continues to be remembered, together with this distinctive engi, as one of the Eight Great Tengu.
Source Information
種類全体の出典primary
天狗の研究
著者: 知切光歳
年代: 1975
出版社: 大陸書房
種類全体の出典primary
延喜式(神名帳)
著者: 藤原時平ほか
年代: 927
出版社: (律令の施行細則)
種類全体の出典primary
鞍馬天狗(謡曲)
著者: 宮増(伝)
年代: 室町期
出版社: (能・五番目物)
種類全体の出典primary
大山寺縁起絵巻(相模)
著者: (縁起絵巻)
年代: 1532
出版社: (相模大山寺、平塚本ほか)
種類全体の出典primary
新編相模国風土記稿
著者: (江戸幕府編)
年代: 1841
出版社: (官撰地誌)
種類全体の出典primary
天狗経
著者: (密教系祈祷秘経)
年代: 江戸中期
出版社: (修験の祈祷経典)
Personality
A modest tengu who took up the seat as a successor. He watches over the common folk of the Ōyama pilgrimage and grants protection to those who keep the mountain's prohibitions.
Compatibility
Those who revere the mountain and make the pilgrimage; those who bear the charge of succeeding to a seat; those who pray for rain and harvest
Abilities & Skills
Weaknesses
He grants no protection to those who violate the mountain's prohibitions / The recession of his image through the separation of Shintō and Buddhism / Restraint by Buddhist law and interdiction
診断評価
妖怪相性診断
喜び
3.5喜びと楽しさの程度
📝 メモ
祭礼や実りに関与するが、語られる性格は謙抑で荘重。喜悦の表出は限定的。
怒り
6.0怒りの激しさの程度
📝 メモ
禁制破りには加護を与えず、天狗としての威厳と懲罰性を持つが常時怒りは強くない。
慈悲深い
6.0慈悲深さの程度
📝 メモ
庶民に加護を垂れるが、規範に反する者には厳しく選別的な慈悲。
憂鬱
5.5憂鬱で思慮深い程度
📝 メモ
崇徳院の怨霊に連なる相模坊との対関係や移座の宿命性に哀感がにじむが本人は謙抑で中庸。
静寂
7.5内なる平静の程度
📝 メモ
謙抑・調停・霊山の守護という静的側面が強く、内的平衡が高い。
いたずら好き
2.0いたずら好きで活発な程度
📝 メモ
大天狗として規範的で、いたずら性はほぼ語られない。
やさしい
6.5やさしく親しみやすい程度
📝 メモ
庶民の参詣者を見守り加護を与えるが、山の禁を犯す者には非情であるため穏やかさは中程度以上。
厳格
8.5厳格で真面目な程度
📝 メモ
山の禁や参詣作法を重んじ、加護は条件付き。後任として座を守る責務感も強い。
守護的
9.0他者を守る傾向
📝 メモ
参詣者守護・山の禁を守らせる験力・調停など守護者像が明確。
神秘的
8.5神秘的で不思議な程度
📝 メモ
移座という特異な継承譚、霊山信仰・修験・雨を呼ぶ能力など神秘性が高い。
霊性の深さ
9.0精神的境界の深さ
📝 メモ
延喜式の式内社・修験・大山寺縁起・天狗経・八大天狗と重層的宗教基盤を持つ。
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