Completely stripped of the pop-culture motif of a "friendly yokai with eyes and a mouth that speaks a local dialect" depicted in later anime and manga, this interpretation faithfully reproduces the "fundamentalist terror" of the oldest folktales passed down in the Osumi Peninsula of Kagoshima Prefecture. This version of the Ittan-Momen is depicted as an entirely "Faceless, silent assassin" completely incapable of communicating with humans.

The core of its terror lies in its overwhelming "silence" and "otherness." On dimly lit paths between rice paddies at dusk, or at the edge of deserted woods at night, it glides down from the sky just like an ordinary piece of white cloth, making no sound of flapping wings or footsteps. Then, it silently descends from above the target's head, completely covering the human's entire face with the sensation of cold, damp cloth, and rapidly suffocates them by wrapping tightly around their neck multiple times. Since it is merely a long piece of cloth with no eyes, nose, or mouth, the victim can neither read its emotions nor beg for their life; they are simply robbed of their sight and breath in the darkness, experiencing the ultimate "claustrophobic terror."

Furthermore, it is accompanied by a highly gruesome episode showing that it is not merely a "moving piece of cloth (a tool spirit)." A man who was attacked by this apparition on a dark road and was about to die of suffocation unsheathed the wakizashi (short sword) at his waist and frantically slashed at the cloth wrapped around his face. At that moment, the cloth instantly vanished into the darkness, but the blade of the sword left in the man's hands was thickly smeared with warm "fresh blood." This vivid, physical tale of confrontation—where "slashing it causes it to bleed"—strongly suggests that the Ittan-Momen is not merely a trick of the wind or a cloth monster, but an unidentified "fleshy, grotesque predator," brilliantly embodying the primal fear lurking in the rural darkness.